Released: Wednesday 7th May 2014 at 16:18
National Glass Centre at the University of Sunderland will exhibit work created by the finest artists working in glass and ceramics this week at COLLECT, the International Art Fair for Contemporary Objects, at Saatchi Gallery, London.
Glass is a major focus of this year’s fair, and National Glass Centre will be among the internationally important galleries represented at the art fair, which attracts high profile art collectors from around the world, looking to purchase the best in contemporary art and craft.
Glass artists Richard Slee and James Maskrey will show artworks which were created at National Glass Centre’s world class production facilities and will be available to purchase.
James Maskrey’s work is an extension of his ‘Antarctic Episodes’ series thatcelebrates the heroic age of Antarctic exploration. This particular chapter celebrates the Imperial Trans Antarctic or ‘Endurance’ Expedition of 1914-17. Conceived by Sir Ernest Shackleton, the expedition was an attempt to make the first land crossing of the Antarctic. This crossing from sea to sea remained, in Shackleton's words, the "one great main object of Antarctic journeyings". The expedition failed to accomplish this objective, but became recognised instead as an epic feat of endurance.
Maskrey’s body of work features free blown glass bottles and glasses which look like they have an ice effect and contain free blown glass whale teeth and bone, printed with maps of the expedition route and a fascinating job advert that Shackleton placed in a newspaper to recruit men for the expedition.
Richard Slee’s humorous body of work was originally inspired by the floor in the Saatchi Gallery, which reminded him of water. His central conception was Boat with Oars. Inflating the translucent dingy can be likened, to the act of blowing and inflating glass and he replaced the blades of the oars with glass, wanting them to look as if they were soft and pliable like the plastic of the boat, but being glass, they are a ‘frozen’ version.
Slee completes the scene with glass Duck Gun and Flare Gun which sit in the boat and glazed ceramic pure white birds with elegant swan-like necks wearing party shop latex noses/beaks, which ‘swim’ around the boat and amongst glass marker Flags .
Head of Enterprise, Commissioning & the Studio
I am Head of Enterprise, Commissioning and the Studio at National Glass Centre at the University of Sunderland, England and am a member of the Senior Management Team.
My practice is interdisciplinary combining drawing, sculpture and film.
I am an Israeli artist based in the UK working primarily in kiln cast glass.
Glass Maker and Artist
I have worked at National Glass Centre since finishing my degree in 2005.
Marketing and Communications Coordinator
Sara Jo Harrison joined National Glass Centre in 2012 to support the Centre's marketing and Communications strategy.
My work uses a range of media which acknowledges the interface between both traditional practice and new media.
Learning and Engagement Officer
Rachel joined National Glass Centre in 2007 to support the Centre's learning and engagement programme having completed MA Glass the previous year.
Kalki Mansel is one of National Glass Centre's resident glass artists.
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